Signed
Confessions of a Crap Artist
One of 90 numbered & signed
Confessions of a Crap Artist (1959, published 1975) was Philip K. Dick's only mainstream novel published during his lifetime. This is the first edition, published by Entwhistle Books in a total edition of 1,000 copies. This copy is one of 90 numbered and signed copies. First edition statement is present on the copyright page. According to Levack, of the 1000 sheets printed, 500 sets were printed with the statement "First Edition" and the other 500 were not.
Hardcover. First Edition, First Printing. Octavo, maroon cloth with gold lettering on spine with the letters "P.K.D." stamped in gold on the front cover. Issued without a dust jacket. New York: Entwhistle Books, 1975. Levack 5a. #11049.
Fine.
Hardcover. First Edition, First Printing. Octavo, maroon cloth with gold lettering on spine with the letters "P.K.D." stamped in gold on the front cover. Issued without a dust jacket. New York: Entwhistle Books, 1975. Levack 5a. #11049.
Fine.
Additional Details
Confessions of a Crap Artist was written in 1959 but not published until 1975, making it the only mainstream novel Philip K. Dick saw into print during his lifetime, and the one he considered his best non-science fiction work. It is set in Marin County, California in the 1950s and follows Jack Isidore, the "crap artist" of the title, a man who collects useless facts, believes in hollow earth theories, and cannot reliably distinguish what is real from what he has decided to believe. He moves in with his sister Fay Hume and her husband Charley after losing his footing, and the three form a volatile domestic arrangement that drives most of the novel.
The book cycles through multiple first- and third-person perspectives, each narrator locked inside their own distorted version of events. Fay is the most vivid of them, intelligent, ruthless, and entirely clear-eyed about her own selfishness. Charley is steadier and more sympathetic than he first appears. Jack, for all his eccentricities, is rendered with genuine affection. Dick was unusually attached to this novel, perhaps because its concerns, delusion, perception, the gap between what people believe and what is actually happening, run parallel to the themes of his science fiction by different means.
The introduction to the first edition by Paul Williams remains one of the more useful short accounts of Dick as a writer and is worth reading alongside the novel itself. Originally published by Entwhistle Books in a limited edition of 1,000 copies, split between hardbound and paperback issues.
The book cycles through multiple first- and third-person perspectives, each narrator locked inside their own distorted version of events. Fay is the most vivid of them, intelligent, ruthless, and entirely clear-eyed about her own selfishness. Charley is steadier and more sympathetic than he first appears. Jack, for all his eccentricities, is rendered with genuine affection. Dick was unusually attached to this novel, perhaps because its concerns, delusion, perception, the gap between what people believe and what is actually happening, run parallel to the themes of his science fiction by different means.
The introduction to the first edition by Paul Williams remains one of the more useful short accounts of Dick as a writer and is worth reading alongside the novel itself. Originally published by Entwhistle Books in a limited edition of 1,000 copies, split between hardbound and paperback issues.
Related items
